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NEW QUESTION 34
The Timeline panel is active with multiple dips m a sequence. You press the Up arrow key while working in the Timeline and the playhead jumps to the beginning of the sequence.
Why does this happen?
- A. The oily enabled track is empty.
- B. The clip is not selected.
- C. Selection Follows Playhead is disabled.
- D. Snap In Timeline is disabled.
Answer: C
NEW QUESTION 35
You want to customize which columns show in the list view of the Project panel. How can you accomplish this?
- A. In the Metadata panel choose Project Metadata.
- B. Choose Edit > Project Settings > Metadata.
- C. In the Project panel menu, choose Metadata Display.
- D. Right click a Bin and choose Metadata Display.
Answer: D
NEW QUESTION 36
You have clips containing multiple matching camera angles stacked ina Sequence, but they are not correctly aligned. All clips contain matching reference audio, but the picture and sound are playing out of sync.
How can you realign these clips directly in the timeline?
- A. Select the group of clips that ate out of alignment with one another in the Timeline, right-E tick and choose Synchronize, in the dialog box choose Audio as the Synchronize Point and press ok.
- B. Choose Synchronize in the Timeline panel menu, then choose Audio as the Synchronize Point. From the Track Channel pull-down menu choose Channel 1 or Channel 2 and press ok.
- C. Select the group of clips that are out of alignment with one another in The Timeline, and from the Sequence tab drop down menu choose Multi-Camera Audio Follows Video.
- D. Select the group of clips that are out of alignment with one another in the Timeline, then go to the Sequence Menu and choose Synchronize. In the dialog box select Audio as the Synchronize Point and press ok.
Answer: A
NEW QUESTION 37
You are performing a 4-point Overwrite Edit and have marked In and Out points in both the Source Monitor and Program Monitor. You want the tit Clip dialog to open so you can perform a Fit-to-Fill edit but you previously set the Fit Clip dialog to always ignore the source out point How can you get the Pit Clip dialog to open again so you can perform a Fit-to-Fill Edit?
- A. In the Timeline panel menu check Fit to Fill Opens for Edit Range Mismatches, and perform Overwrite Edit
- B. In Preferences > Timeline, check Fit Clip Dialog Opens for Edit Range Mismatches- Perform Overwrite Edit
- C. Map a keyboard shortcut for Flt-to-Fill. Mark In and Out points in Source and Program Monitors- and press Overwrite.
- D. In Preferences > Trim tab. check Tit Clip Dialog Opens for Edit Range Mismatches. Restart Premiere Pro and perform Overwrite Edit.
Answer: A
NEW QUESTION 38
You have created a text layer and want to save the style (font, color, shadow etc) for later use. How can you save the style as a Master Style?
- A. With the text layer selected choose Create Master Text Style from Master Styles menu in the Essential Graphics panel.
- B. With the text layer selected, click the Graphics Properties button under Appearance, and choose Create Master Text Style.
- C. With the text layer selected, go to the Graphics menu and choose Master Styles > New Master Text Style.
- D. With the text layer selected, choose Create Master Text Style in the Graphics menu.
Answer: B
NEW QUESTION 39
You want to burn-in Timecode display m a draft video that you want to deliver to a client. What is a way to achieve this?
- A. Add the Timecode effect to the Sequence,
- B. Choose Clip > Display Timecode.
- C. During export, enable Timecode Overlay.
- D. Choose Sequence > Display Timecode.
Answer: A
NEW QUESTION 40
How can you make it easier toavoid accidentally overlapping existing frames from other clips as you move a dip in the Timeline panel?
- A. Preferences > General, choose Group Clips.
- B. Activate Snapping in the Timeline panel.
- C. Navigate to Clip and Check the Group option.
- D. Preferences > Timeline, choose Snap In Timeline.
Answer: A
NEW QUESTION 41
You are collaborating with othereditor and you have all been givena collection of Motion GraphicsTemplates to use in shared projects.
How can you install multiple Motion Graphics Templates all at once for use in Premiere Pro?
- A. In the Libraries Panel menu In Premiere Pro. select Install Motion Graphics Templates and then select all needed .mogrt files.
- B. Select multiple .mogrt files m finder (macOS) or Explorer (Windows) and drag them into the Browse tab of the Essential Graphics panel.
- C. Select multiple .mogrt (ties in the Under (macOS) or fiplorer (Windows) and d<ag them Into the Libraries Panel In Premiere Pro.
- D. From the Graphics menu In Premiere Pro. choose Install Motion Graphics Templates then select ail needed .mogrt Files.
Answer: C
NEW QUESTION 42
You have an edit that is at its required final duration. but you need to use a clip that is 10 frames shorter than the spate m which you want to place it in the edit. Which tool helps solve this problem?
- A. Rate Stretch Tool
- B. Ripple Edit Tool
- C. Slide Tool
- D. Slip Tool
Answer: C
NEW QUESTION 43
You want to only trim the video pan of a clip that has linked audio without affecting the overall sequence length.
How can you achieve this?
- A. With Track Select forward tool enabled hold Alt (Windows) / Option (macOS) and adjust the edit point,
- B. With Selection Tool enabled, hold All (Windows) / Option (macOS) and drag over the edit point to trim the clip.
- C. With Slip Tool enabled, hold Alt (Windows) / Option (macOS) and adjust the edit point.
- D. With Ripple Edit enabled, hold Alt (Windows) / Option (macOS) and drag over the edit point to trim the clip.
Answer: C
NEW QUESTION 44
You want to create a custom shortcut to give clips on the Timeline a specific label color.
How do you accomplish this?
- A. Open the Keyboard Shortcuts > label Colors. Assign shortcut.
- B. Navigate to Sequence > Clip Label Color. Assign shortcut
- C. Right click a clip on the timeline and select Label Color > Assign Shortcut.
- D. Open the Keyboard Shortcuts. Assign shortcut
Answer: B
NEW QUESTION 45
The Media Cache Files in Premiere Pro are by default stored here:
* Mac Users: Macintosh HD/Users/UserName/Library/Application Support/Adobe/Common
* Windows Users: C:Users\UserName\ AppData\Roaming\Adobe\Common
Where can you change this location?
- A. Sequence > Sequence Settings > Media Cache Files
- B. Preferences > Media Cache > Media Cache Files
- C. Project > Project Settings > Media Cache Files
- D. Project Settings > Scratch Disks > Media Cache Files
Answer: A
NEW QUESTION 46
You have multiple voice dips o* varying levels in a sequence.
How can you quickly adjust all the clips to match a consistent level?
- A. Use the Essential Sound panel to tag dialogue clips as Dialogue and click the Loudness Auto-Match button.
- B. Add the Loudness Radar effect to all tracks In the Audio Track Mixer, and choose the appropriate Broadcast preset for the specific region.
- C. Select an the clips and dick Clip > Audio Options > Audio Gain > Normalize Max Peak To and enter the peak amplitude level.
- D. Add the Multiband Compressor effect to all Hacks in (he Audio Track Mixer, and choose the Broadcast preset.
Answer: A
NEW QUESTION 47
When you change the label color ofa clip inthe timeline, you also want it to change automatically m the Project panel. How can you accomplish this?
- A. Choose Edit > Label > Display the project item name and label color for all instances.
- B. Choose Sequence > Label > Display the project item name and label color for all instances.
- C. Choose Project Settings dialog > Display the project item name and label color for all Instances.
- D. Choose Clip > Label > Display the project item name and label color for all instances.
Answer: D
NEW QUESTION 48
You have been working in Adobe Premiere Pro on a complete multi-clipintro for a TV series.
How can you quickly turn the clips into their own sequence so you can add It to other episodes?
- A. Select the clips. right-click and choose Nest.
- B. Select the clips, and drag them to the Project panel.
- C. In and Out points and choose Sequence > Nest.
- D. Select the clips, right-dick and choose Pre-Compose.
Answer: C
NEW QUESTION 49
You have made some changes to the export settings and want to create these settings as an Export preset. How should you do this?
- A. Choose Import Into Project in Export Settings.
- B. Click the Save Preset button In Export Settings.
- C. Choose Save Preset In the Export Settings panel menu.
- D. Click Save Changes as a Preset in Export Settings
Answer: D
Explanation:
Explanation
https://helpx.adobe.com/lightroom-classic/help/export-presets-settings-plug-ins.html
NEW QUESTION 50
You have been given multicamera footage that includes Camera Angle metadata fields.
When creating a Mutt-camera Source Sequence, how can you ensure groups of clips with marching camera angle metadata areautomatically placed on the sametrack?
- A. Select the Create Single Multicam Source Sequence box in the Create Multi-camera Source Sequence dialog. Choose Camera Angle from the drop-flown menu.
- B. Check the box next to Preserve Camera Angle Metadata beneath Sequence Preset dropdown inthe Create Multi-camera Source Sequence dialog box.
- C. Select Camera Label from the drop-down menu in the Create Multi-camera Source Sequence dialog.
Choose Automatic for the Sequence Preset. - D. Make sure the Camera Angle metadata column b visible in the Project panel. In Sequence Settings, select Camera Angle under Synchronize Point
Answer: A
NEW QUESTION 51
In the Export Settings panel, you need to export something as a .mov (QuickTime). You see that QuickTime is a choice in the Formats dropdown menu, but find that the Presets have different choices for video codecs.
How do these choices affect the exported file?
- A. A format refers to the frame size and rate, and the codec refers to the color space.
- B. A format is how the file Is framed (full-frame format) and a codec refers to the extension.
- C. A format is a container for your dip. A codec is the way the media is encoded.
- D. A format is how the file Is compressed, and a codec refers to the extension.
Answer: C
NEW QUESTION 52
You want to create proxies in Premiere Pro- and the existing presets are not suitable for your media. How do you create a custom Ingest preset for Premiere Pro?
- A. Use Adobe Media Encoder to create a custom preset for use in Premiere Pro.
- B. Use Preferences > General, check Save Export Presets as Ingest Presets.
- C. Use Premiere Pro Ingest settings to create a custom preset
- D. Use File > Export > Ingest Preset to create a custom preset
Answer: C
NEW QUESTION 53
Your customer wants a video file with visible timecode. How can you do this using the Export Settings dialog box?
- A. Choose Captions > Timecode.
- B. Choose Effects > Timecode Overlay.
- C. Choose Set Start Timecode.
- D. Choose Add Timecode Bum-in,
Answer: A
NEW QUESTION 54
You are working using the list view in the Project panel and would like to sort clips by date when the original media was created. The needed column is not visible.
How can you make this column visible?
- A. Choose Clip > Metadata Display.
- B. Choose Pile > Project Settings > Metadata.
- C. Choose Window > Metadata.
- D. Right-click on the column header and choose Metadata Display.
Answer: B
NEW QUESTION 55
You have edited a multicamera source sequence into a large! sequence. You want to view the footage from multiple cameras simultaneously. How do you enable Multi-Camera editing in the Program Monitor?
- A. Choose Multi-Camera view from the Program Monitor panel menu.
- B. Choose View > Program Monitor > Multi-Camera.
- C. Click the Program Monitor Settings icon and choose Multi-Camera.
- D. Select the Multi-Camera view button located on the Source Monitor Button Bar.
Answer: D
NEW QUESTION 56
You want to use Clip > Modify > Interpret Footage to change a clips dip to 481ps. The clip has already been edited into a 24fps sequence. What happens to the clip in the timeline?
- A. The sequence displays only every other frame of the clip, playing it twice as fast
- B. The sequence displays every frame of the clip, playing It twice as fast.
- C. The sequence displays every frame of the clip, playing It twice as slow.
- D. The sequence displays only every other frame of the clip, playing it tw.ce as slow.
Answer: D
NEW QUESTION 57
A long interview clip has been cut into shorter pieces that are now scattered among other clips in ihe timeline.
How can you ensure that changes to a Sharpen effect will affect every instance of the interview clip?
- A. Add the Sharpen effect as a Master Clip effect.
- B. Add the Sharpen effect to an adjustment layer.
- C. Add the Sharpen effect as a Track Mane effect
- D. Link the Sharpen effect settings together in the Effect Controls Panel.
Answer: D
NEW QUESTION 58
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